This étude by Hussein Madi, sculpted by the artist himself, carries a rare and irreplaceable significance. It is not merely a preparatory piece, but the very study from which Madi developed his final sculpture.
The work offers direct insight into the artist’s creative process — a moment where idea, gesture, and form converge before reaching their definitive expression. It stands at the threshold between conception and completion, revealing how Madi translated thought into volume and rhythm.
Because this étude was personally sculpted by Madi, it bears the immediacy of his hand and intention. It functions both as an essential document of his practice and as an autonomous artwork. Its provenance is exceptional: this piece represents the origin of the sculpture itself — a rare opportunity to acquire not only a work by the artist, but the very source of his sculptural vision.




